People all around the world have experienced isolation rules and a feeling of the stall; Danish, like each of us, felt the need to fulfill her everyday life tasks, while keeping pace and minimizing time loss. Hence, her displayed works include machine-stitched pieces, embossed velvets, and paints with gouache colors. These artisanal techniques re-enhance the importance of manual activities within the home-working setting, a new domestic dimension now concerning both men and women. Craft-create turns into a time-tracking tool, highlighting the flow of time and thus evolving into something concrete. One of the salient features of Danish’s artistic practice is the experimentation with various media, which, intertwined with other recurring themes of her research, are reinterpreted in light of the pandemic moment. The attention to language’s structure and the interest in the meaningless, the misunderstanding, the humor, the absurd, and the highlighting of trivial movements and expressions make her work playful, and lucid but at the same time conceptually solid. The large machine-sewn tapestries represent some of the world leaders on top of their podiums. Furthermore, the gouache paintings are composite coats of arms recalling medieval heraldry and iconography. The inspiration was drawn from the visual appeal of common political aesthetic experienced by Danish during the pandemic; podiums, flags, microphones, and words-speaking politicians will make us change the way we live. Danish deftly and humorously mocks this aesthetic, countering public expectations and intentionally distracting us from the authentic and, yet, dramatic themes involved.